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S T A T E M E N T: it's in the works
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Writings based on visual art, math, music and physics 2011-"The Architecture Of SpaceTime (TAOST) as defined by the Brooks (Base) Square matrix and the Inverse Square Law (ISL)" "The single most important concept to take from here is that not only is ST not rigid and static...indeed it is more like a fluid made of light, each quanta of which flashes on and off...pulse-propagates into and out of existence...at a frequency (and wavelength) according to its energy...and this fluid light ST unit resonates off a wave of energy at the peak of each pulse-flash...that wave, like a pond ripple, fans out to infinity (or the edge of the Universe...which ever comes first) where it is absorbed back into the sub-Planck event horizon (Singularity) to fuel the next round...communicating...passing on information...as to the location source and energy density...the amount and degree of its presence...its curvature...to every other ST unit throughout the Universe(s), BUT that the ST formation and curvature information propagation is informed, dictated and quantified by the matrix of BBS and the ISL...the bean counters par excellence!" "Brooks (Base) Square interactive (BBSi) matrix: Part I: BASICS" ~ This "BASIC" introduction to the matrix grid and the simplest, most fundamental pattern of the numbers that are formed from the main, Prime Diagonal are presented in a step by step fashion in five different interactive, multimedia formats. The Prime Diagonal is none other than square of the axial numbers (1,2,3,...) forming the core of the Inverse Square Law sequence (1,4, 9,...). All the numbers...and their many exquisite patterns...are derived directly from the Prime Diagonal numbers. This is Part I. Part II will follow and will present some of the more interesting patterns. The Inverse Square Law defines how a force or influence (like energy or light) falls off in strength as the distance is increased. It is one of the fundamental relationship laws of the universe effecting everything from gravity to electromagnetism. It can not but help to also be part of the spacetime fabric. It's part of "The Architecture Of SpaceTime" (TAOST). 2010-"Brooks (Base) Square (BS): The Architecture of Space-Time (TAOST) and The Conspicuous Absence of Primes (TCAOP) - the complete work (Rules 1-177)" 2009-"Brooks (Base) Square (BS): The Architecture of Space-Time (TAOST) and The Conspicuous Absence of Primes (TCAOP) - a brief introduction to the series" The table of numbers that, while excluding the *prime numbers ... and only the *prime numbers ... reveals the number patterns that are primary ... primordial ... to the structure of the Universe. This primordial matrix defines the Inverse Square Law (ISL) that informs gravity, light (electromagnetism) and atomic structure ... the underpinnings of that which we see as the observable Universe. It is the architecture of space-time itself ... that which ultimately informs ... that is, reveals its disposition that in turn presents the physical laws, and their expression, of light, gravity and the structure of matter ... that fundamentally defines the true structure of the Universe ... seen and unseen ... encompassing all matter (light and dark) and all energy (light and dark). The ISL is a key relationship describing the interplay of space and time. It is postulated here that the true underpinnings of space-time itself are inherently defined by numerical relationships ... numbers ... the numbers of Brooks (Base) Square (BS). 2009-"GoMAS: The Geometry of Music, Art and Structure ...linking science, art and esthetics" ~ That simple geometric principles can be responsible for the manifestation of the multitudes of beauty, diversity and richness of Nature is further supported here in this paper. The Inverse-Square-Law (ISL), a simple geometric principle, is shown to be the common link between physics, chemistry, biology, and the science and esthetics of music and art. Nature has incorporated the ISL as the major game rule to building the cosmos. Our perception of pleasing form, color and sound is prophetically built into our sensory being, our biologic evolution, and our structural past. 2008-"The Conservation of SpaceTime".~The role of the Higgs, graviton and photon bosons in defining Dark Matter = Dark Energy (the inverse of) in the fractal Universe~ "Quantum Gravity ...by the book'" ~merging quantum mechanics with general relativity2007-"The History of the Universe - update - 'The Big Void'" ~A short, update supplement to "Dark Matter = Dark Energy (the inverse of): The Conservation of Spacetime by The Conservation of Force" and "The History of the Universe in Scalar Graphics." 2006-"The Butterfly Prime Determinant Number Array (DNA) ~conspicuous abstinence~" ~The role of the highly ordered positive space pattern of the odd non-primes in revealing the reverse, negative space pattern of the primes as a determined number array is revealed. "The Butterfly Prime Directive...~metamorphosis~". ~There is a logic behind the ordered and predictable pattern of prime numbers. 2005- "Butterfly Primes...let the beauty seep in". ~An ordered and predictable pattern for the prime numbers emerges. -"The LUFE Matrix: E=mc2...and then some".The focus is on energy. From Einstein's initial insight into the transformation between mass and energy, we now have a large number of similar transformations between energy and the other fundamental parameters of matter...i.e., charge and spin...and their activities within their space-time environments such as velocity and acceleration, frequency and temperature, momentum, pressure and force, potential difference, heat and work, etc.2004-"The History of the Universe in Scalar Graphics" (Simultaneous Birth of Black Holes and the Inflationary Universe at the onset of the Big Bang). A mostly graphical supplement to "Dark Matter = Dark Energy (the inverse of): The Conservation of Spacetime by The Conservation of Force". -"The LUFE Matrix: Infinite Dimensions ~a room with a view...within a room with a view...within a room with a view~." A new, speculative journey to account for the multiple dimensions that have informed The LUFE Matrix since its introduction in 1985. FAQ-graphic format. 2003-"Dark-Dark-Light: Dark Matter = Dark Energy (the inverse of): The Conservation of Spacetime by The Conservation of Force" -"The LUFE Matrix: the distillation of SI units into more fundamentally base units of space and time dimensions" (Short Title: "The Multi-dimensional LUFE Matrix" -"The LUFE Matrix Supplement: Examples and Proofs" 2001-Part II below, from 2000, was rewritten and recast for online publication as a three part series: Part 1: "PIN: Pattern in Number...from primes to DNA" A brief primer on visual patterns found in simple, well known number systems leading into the remarkable number magic and esthetic beauty of the DNA double helix (axial view) found in Part 2.GoDNA and continued in Part 3.SCoDNA. Part 2: "GoDNA: the Geometry of DNA (axial view) revealed" Which came first? The self replicating underlying geometry or the form itself with its dependence on enzymes, hydrogen bonding and a matching code of bases? Part 3: "SCoDNA: the Structure and Chemistry of DNA (axial view)" Extending GoDNA into the realm of structural detail and chemistry forming the composite design. 2000-"The Geometry of Music, Art and Structure…linking science, art and esthetics, Part II" self-published. The original material for this paper was presented (self-published) at the 1997 solo exhibition at the Montage Gallery, Portland, OR under the title "Patterns In Numbers: From Prime Numbers to DNA". 1998-"The Geometry of Music, Art and Structure…linking science, art and esthetics, Part I" presented at the Eighth International Conference on Engineering Computer Graphics and Descriptive Geometry in Austin, TX, sponsored and published by the International Society of Geometry and Graphics. The original material for this was presented at the 1996 solo exhibition at the Montage Gallery, Portland, OR.1991-"The LUFE Matrix: the distillation of SI units into more fundamentally base units of space and time dimension (Short Title: The Multi-dimensional LUFE Matrix)" with supplement, paper, self-published 1987-"Fundamental Constants of Nature: Mass", paper, self-published 1987-"Fundamental Constants of Nature: Ratios", paper, self-published 1987-"Fundamental Constants of Nature: Charge", paper, self-published 1987-"Fundamental Constants of Nature: The LUFE Matrix", paper, self-published 1986-"Mass Variation in the Electron by Photon Absorption & The Inverse Square Law", paper, self-published 1986-"Expose on Music, Color and the Inverse Square Law", paper, self-published 1985-"L.U.F.E.: The Layman’s Unified Field Expose" (a visual guide), textbook-manuscript, self-published |
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R E S U M É Education 1970- BS General Science, Oregon State University 1972- MS Cell Biology-incomplete, OSU 1973- MT(ASCP) Medical Technology, Good Samaritan Hospital & Medical Center, Portland, OR 1973- 1978- Medical Research Specialist, Good Samaritan Hospital & Medical Center, Portland, OR Solo Exhibitions 2008- Lara Sydney Framing Gallery, Portland, OR 2007- Urban Wineworks Gallery, Portland, OR 2007- Lara Sydney Framing Gallery, Portland, OR (2-Person Show) 2005- Lara Sydney Framing Gallery, Portland, OR 2001- Lara Sydney Custom Framing Gallery, Portland, OR 1997- Montage Gallery, Portland, OR 1996- American Institute of Architects/ Portland Chapter, Portland, OR 1996- Montage Gallery, Portland, OR 1995- Montage Gallery, Portland, OR 1992- Zero Square Gallery, Portland, OR 1989- Oregon Graduate Center, Hillsboro, OR 1989- Portland Community College, Rock Creek, OR 1988- Beaverton City Hall, Beaverton, OR 1987- Mt. Hood Community College, Gresham, OR 1987- Beaverton City Hall, Beaverton, OR 1987- Beaverton Chamber of Commerce, Beaverton, OR Rhizome ArtBase 2011-"Brooks (Base) Square (BBS) interactive matrix: Basic (Part I)" 2010-"Brooks (Base) Square & The Inverse Square Law (ISL)" 2010-"The Geometry of Music Color" 2006-"Butterfly Primes" 2004-"Your sFace or Mine?" 2003-"Naughty Physics (a.k.a. The LUFE Matrix) 2002-"HeyUfunknwithmyDNA?" 2001-"RealSurReal...aClone, 2001" Group Exhibitions (select, nonprofit org.) 2011- Carkeek Park Outdoor Art Exhibit, "Heaven and Earth 3: Cycles of Return", COCA, Seattle, WA 2011- Maude Kerns Art Center, "Oregon Made For Interiors", Eugene, OR 2010- Rhizome ArtBase, http://rhizome.org, "Brooks (Base) Square & The Inverse Square Law (ISL)" , New York, NY 2010- Rhizome ArtBase, http://rhizome.org, "The Geometry of Music Color", New York, NY 2009- Netart Features 2009, JavaMuseum, Cologne, Germany 2009- 27th Annual Visual Arts Showcase 2009, Beaverton Arts Commission, Beaverton, OR 2008- "Hollywould", 2008 Freewaves 11th Festival of Experimental Media Art, Hollywood, CA 2008- "Welcome the Rain Sculpture Contest", 1st Place Winner, East Multnomah County Soil & Water Conservation District, Portland, OR 2008- All-Oregon Art Annual, Professional, juried, Oregon State Fair, Salem, OR 2007- 11th Int'l Conference on Information Visualization (IV07), July 3-7, Swiss Federal Institute of Technology, Zurich, Switzerland, DART gallery 2007- 4th Int'l Conference Computer Graphics, Imaging and Visualization (CGIV07), August 14-17, KMUTT, Bangkok, Thailand, DART gallery 2007- "Pacific Northwest Art Annual 2007", Cultural Forum, U. of Oregon, Eugene, OR 2007- 2006[10th] Japan Media Arts Festival, Tokyo Metropolitan Museum of Photography, Feb 24-Mar4, 2007 2007- "Allegories of the Genome", Vancouver, BC, Canada-online gallery-http://www.genomic- art.com/ 2006- 10th Int'l Conference on Information Visualization (IV06), July 4-7, University of London, London, England, DART gallery 2006- Int'l Conference Computer Graphics, Imaging and Visualization (CGIV06), July 25-28, Sydney, Australia, DART gallery 2006- "ARTIFICIAL A.GENDER? new media online exhibition:tba 2004- Eurographics 2004, Art Show "Art and Science", Grenoble, France 30 Aug - 3 September, 2004 2004- Rhizome ArtBase, http://rhizome.org, "Your sFace or Mine?", NY, NY 2004- "21 Years of Studios", Cathedral Park Place (invitational), Portland, OR 2003- Rhizome ArtBase, http://rhizome.org, "naughty physics (a.k.a. The LUFE Matrix)", NY, NY 2002- Bellevue Sculpture Exhibition 2002, City of Bellevue, WA 2002- Rhizome ArtBase, http://rhizome.org, "Hey! U funk'n with my DNA?", New York, NY 2002- Net.Art, The Irish Museum of Modern Art, http://www.irishmuseumofmodernart.com 2002- 20th Annual Visual Arts Showcase 2002, Beaverton Arts Commission, Beaverton, OR 2001- Net_Working, net.art, CHArt conference and Watershed Digital Cafe, Bristol, UK www.watershed.co.uk/Net_Working 2001- FILE_2001 (Electronic Language International Festival), net.art, Museu da Imagem e do Som, São Paulo, Brazil, August 7th-September 2nd, 2001. Online all year at: http://www.file.org.br 2001- Rhizome ArtBase, http://rhizome.org, "RealSurReal...aClone, 2001", New York, NY 2000- PICA, "Open Walls" (unjuried), Portland, OR 1995- Maude Kerns Art Center, "5th Sculpture Biennial", Eugene, OR 1995- Maude Kerns Art Center, Women’s Art Triennial, Eugene, OR 1993- Maude Kerns Art Center, "The Silent Child, Art as Healing", Eugene, OR 1992- Kinsey Gallery, Seattle University, Seattle, WA 1991- A.I.R. Gallery, "Choice"(unjuried), New York, NY 1989- Maude Kerns Art Center, "Icons and Idols, A Celebration of Ceremony", Eugene, OR 1989- Justice Center Sidewalk Gallery, Portland, OR 1988- Newport Visual Arts Center, "Nuclear Visions", OCCA, Newport, OR 1986- Northwest Artist’s Workshop, "On the Job", Portland, OR 1985- Germanow Art Gallery, "Current Visions ‘85", JCC, Rochester, NY 1983- Northwest Artist’s Workshop, "Description/ Portrayal" (Invitational), Portland, OR 1983- Arrowmont School of Arts & Crafts, "The Figure: New Form, New Function", Gatlinburg, TN 1983- "1st Annual Sherbrooke Int’l Painting Salon", Sherbrooke, Quebec, Canada 1981- PCVA, "Public Hanging" (unjuried), Portland, OR 1978- Northwest Artist’s Workshop, "Salon de Refuses" (unjuried), Portland, OR Past solo show theme titles (Paintings and sculpture): "~breathe~ A Celebration of Women", 2008 "A Void", 2007 "Infinite Dimensions...without borders", 2005 "The E-P Series: digital-encaustic with scratchboard", 2001 "Dance Number Appendage: A Surrealistic Look At Patterns in Dance and Numbers", 1997 "Lucy:Contemporary Reflections on Paleonathropologic Findings",1996 "Line.Surface.Volume",1996 "A Search for the Multicultural Mythology of Our Times", 1991 Publication/Presentation: "The Geometry of Music, Art and Structure...linking the esthetics of Art and Science" at the 8th ICECGDG (International Conference on Engineering Design Graphics and Descriptive Geometry, sponsored by the International Society for Geometry and Graphics, the Japan Society for Graphic Science, and the Engineering Design Graphics Division of the American Society for Engineering Education; hosted by the College of Engineering, The University of Texas at Austin).1998. Published in the Proceedings of the 8th ICECGDG, Vol. 2, pg 378, ISGG, Tokyo, Japan, 1998 |
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